If you are a writer, there are many reasons for you to suffer. Your writing might not go as expected. You might not be able to put as much time as you want into your manuscript. You discover that the story is not moving in the direction you planned. You do not get the reaction
What happens when you apply the timeless logic of a PhD in Screenwriting to the frontier of Artificial Intelligence? At a recent internal Meta Hackathon, my team set out to answer that by stress-testing AI characters against the “Social Code” of storytelling. Our project, which applied Pixar’s storytelling frameworks to AI character creation, was awarded
Winning “Best Pitch”: Engineering AI Character Resilience at Meta Read More »
Have you ever collaborated with an AI on a long script or novel, only to find that by chapter five, your character sounds like a generic, overly-polite robot? In the industry, we call this “voice drift,” and it’s the quickest way to lose your audience. As a Narrative Engineer, I don’t just ask the AI
Narrative Engineering: Solving the “Ghost in the Machine” Read More »
Most writers have started using AI as a digital assistant, but many barely scratch the surface because they rely on basic prompts. To truly refine your craft, you need to level up. Narrative Engineering moves you beyond simply “typing text in a box.” By leveraging a dash of coding expertise and structured logic, you can
Narrative Engineering: Moving Beyond the “Chat Box” Read More »
How to get started with Character Development Often at the beginning, we have a mere feeling about the main character whose story we want to tell. In this situation you want to act with an open mind. You don’t know yet what will be important about your character, you cannot know it because you just
Richard Walter is a distinguished storytelling teacher, film industry expert, and former co-chair of UCLA’s renowned TFT Graduate Program in Screenwriting. A screenwriter and published novelist himself, his most recent publication is Essentials of Screenwriting (St Martin Press 2010). I plan to add Richard’s book as the next entry in The Toolbox (totellastory.net/the-toolbox) Walter has
Why you should listen to Richard Walter’s podcast Read More »
Short stories are a writer’s notebook. Often they are the seed of an idea that a writer might want to develop. If you are looking for ideas what to write about, short stories are a great way to get started. It’s not so much the stories or the ideas in and of themselves that you
Psychologists who look at the development of the human brain and how a person takes their form say that playing is one of the most important formative activities. As adults we tend to lose the ability or the inclination to play. Playing offers unexpected results, new perspectives and insights on challenges and problems we face.
Very few of us are born writers, I believe. Two reasons come to my mind when I am asked why I write: Respect: Ideas are rare and they come out of nowhere. If you think about it, it is almost a miracle. Something is created out of nothing. You never know which passing thought might
Why you should write … even if you do not think of yourself as a writer. Read More »
When I started writing I looked for advice anywhere. At the time there was not much more around than Syd Field’s wonderful book “Screenplay” (which you can check out in out Toolbox (totellastory.net/the-toolbox), still a bestseller today (https://www.amazon.com/dp/B000S1LAYG/) and deservedly so. Syd’s language fortunately clicked with me and I understood what he wanted me to
